Bailin Studio

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Drawing Conclusions

A Divine Comedy

May 7, 2026

Drawings @ ArtYard
27 June–11 October 2026

13 Front Street • Frenchtown, NJ

When I decided back in the 1990’s that the logo to my first website would be “He left a Paper Trail,” I thought it was a humorous take on my commitment to create works on paper. After all these years though, leaving a paper trail has become my artistic practice as well as a legacy built on all the resulting drawings, successful or otherwise, of that practice.

Drowning Man • 2022• Charcoal on Paper • 52½ x 60 inches

There is a Shakespearean majesty to David Bailin’s large scale drawings on milk carton overstock of humans mired in sink holes of their own making. The drawings entangle the viewer’s emotions in webs of empathy and anger. These characters ought to be rescued, or perhaps they deserve their comeuppance, or what is a person meant to feel watching this slow-motion train wreck cum Divine Comedy of men in suits?

Other works are excavations marked by layers of erasures that conjure the disappearance of a loved one in a cloud of dementia. Bailin works and reworks his drawings, erasing and drawing over the same surface, sometimes over a period of years.

Landscape and weather systems feature prominently in these quiet, troubling, resolute masterworks. There is a seductive beauty to his tableaux of yearning, hubris and self-delusion rendered with loving attention to light and line.

Jill Kearney Exhibition Introduction • ArtYard, 2026